By Alison Anderson, Éric-Emmanuel Schmitt
The name tale is the story of 2 acquaintances with very assorted personalities—one aggressive and competitive, the opposite variety and disinterested. they're faced with situations that result in a catharsis during which either males will movement past their predetermined roles. one other tale, “The Return,” introduces a father whose paintings takes him faraway from domestic for months at a time. through the years, the names, faces and personalities of his spouse and youngsters have blurred in his reminiscence, a proven fact that comes cruelly to gentle while, whereas on a visit, he learns that one in all his daughters has died yet can’t keep in mind precisely which one it truly is. In his confusion he starts off asking himself which daughter he might pass over most—a heartless query yet person who will convey him to acknowledge his failings as a guy and as a father.
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http://www. worldcat. org/title/tre-rubli/oclc/635743481&referer=brief_results
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Extra resources for Concerto to the Memory of an Angel
Can this be true of the Apocalypse? Certainly, both artists and ordinary Christian believers have responded to it as a thrilling story without always attempting to point to its 'meaning'. And professional exegetes too have often spoken of its powerful narrative thrust. 38 Yet both Lohmeyer and Farrer explore extensively the worlds of scriptural and mythical allusion that form the stuff of this narrative, and it can be asked whether without familiarity with these worlds the undeniable narrative thrust is going to be aimless A Book Resisting Interpretation 17 for the reader.
The reading or enactment of such authoritative writing is normally undertaken in a liturgical setting. This has clearly been true of the Apocalypse, and it is necessary finally to ask whether reading it liturgically or reading it as a liturgy can be the clue to its interpretation. As a letter or letters it was originally not distributed to interested parties to study but almost certainly read aloud in the liturgical context of the Asian churches' Eucharists. 57 In a more piecemeal way it has formed part of the Christian liturgy of almost all traditions - in the use of its hymns, in the adaptation of its imagery of worship, and above all in the notion of worship as participation in the heavenly liturgy.
It is laid before the reader as the revelation of (or from) Jesus Christ, that is, as the word of God (19:13). The reading or enactment of such authoritative writing is normally undertaken in a liturgical setting. This has clearly been true of the Apocalypse, and it is necessary finally to ask whether reading it liturgically or reading it as a liturgy can be the clue to its interpretation. As a letter or letters it was originally not distributed to interested parties to study but almost certainly read aloud in the liturgical context of the Asian churches' Eucharists.
Concerto to the Memory of an Angel by Alison Anderson, Éric-Emmanuel Schmitt