Cinéma 2 - L'image-temps - download pdf or read online

By Gilles Deleuze

ISBN-10: 2707330302

ISBN-13: 9782707330307

Remark l’image-temps surgit-elle ? Sans doute avec l. a. mutation du cinéma, après l. a. guerre, quand les events sensori-motrices font position à des events optiques et sonores pures (néo-réalisme). Mais l. a. mutation était préparée depuis longtemps, sous des modes très divers (Ozu, mais aussi Mankiewicz, ou même los angeles comédie musicale). L’image-temps ne supprime pas l’image-mouvement, elle renverse le rapport de subordination. Au lieu que le temps soit le nombre ou l. a. mesure du mouvement, c’est-à-dire une représentation indirecte, le mouvement n’est plus que los angeles conséquence d’une présentation directe du temps : par là même un fake mouvement, un fake raccord. Le pretend raccord est un exemple de « coupure irrationnelle ». Et, tandis que le cinéma du mouvement opère des enchaînements d’images par coupures rationnelles, le cinéma du temps procède à des réenchaînements sur coupure irrationnelle (notamment entre l’image sonore et l’image visuelle). C’est une erreur de dire que l’image cinématographique est forcément au présent. L’image-temps directe n’est pas au présent, pas plus qu’elle n’est memento. Elle rompt avec los angeles succession empirique, et avec los angeles mémoire psychologique, pour s’élever à un ordre ou à une série du temps (Welles, Resnais, Godard...). Ces signes de temps sont inséparables de signes de pensée, et de signes de parole. Mais remark l. a. pensée se présente-t-elle au cinéma, et quels sont les actes de parole spécifiquement cinématographiques ?Cet ouvrage est paru en 1985.

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Majel Barrett gives (Davidsmeyer, ¡993) claims that Lincoln Publishing originally belonged to “another gentleman,” whose attorney was Leonard Maizlish, also Roddenberry’s attorney and business manager: “For some reason or another he gave the incorporation to Leonard. ” This is consistent with speculation that Lincoln Enterprises represented a scheme to accumulate money not directly traceable to Roddenberry. 9. Appearing in the original Star Trek pilot, with a di›erent role in the series and a recurring part in The Next Generation, Barrett became a significant presence in the franchise generally.

Neither Gene nor Majel had any idea how to set up a mail-order business, while the Trimbles have put together several such businesses. At Creation Grand Slam, Eugene Roddenberry acknowledged our e›orts with a big hug & thanks. htm (accessed 24 November 2004). ) 12. shtml). 13. Of all the original Star Trek scripts, Ellison’s “The City on the Edge of Forever” in particular represents an extended saga of rewrites and vituperation. Ellison’s ¡996 book unpicks the writing of “City” and later infighting over its provenance.

2 What we have there is not actually the history of Star Trek, but its legend. As with many good legends it contains elements of truth, but, while superficially coherent to the point of seeming obvious, this story really is too good to be true. The subject at hand is, after all, a commercial product aimed in various guises by innumerable contributors at the popular cultures of five di›erent decades. The simple legend also conflates popularity with quality, avoiding critics’ widespread doubt as to Star Trek’s e›ectiveness or even significance as science fiction (SF) and instead celebrating a façade of inexorable achievement.

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Cinéma 2 - L'image-temps by Gilles Deleuze

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