By Douglas Slaymaker
This ebook explores some of the issues in postwar jap fiction. via an exam of the paintings of a couple of widespread 20th century eastern writers, the booklet analyses the which means of the physique in postwar eastern discourse, the gender structures of the imagery of the physique and the consequences for our figuring out of person and nationwide id. This booklet may be of curiosity to all scholars of contemporary jap literature.
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Additional resources for Body in Postwar Japanese Fiction (Asia's Transformations)
They portrayed individual experiences of women, describing them in the midst of work and the struggle for survival. The portrayals are more tightly focused as we are introduced to their workplaces and the power struggles therein, where they are caught in both lateral and vertical relationships reflecting hierarchies among themselves, all governed by societal structures. The most critical representations implicate Japanese men who do not stand allied with Japanese women in the face of Occupation authority, but who prove to be more authoritarian, demeaning, and hierarchical than the Americans.
She emphasizes the female body, drawing on her experiences in prison and of childbirth in the politicized environment of colonized Manchuria, alone while her partner – rarely mentioned – is himself in prison. The shock of much women’s writing, like Hirabayashi’s, at least in its contemporary reception, was perhaps precisely a result of their focus on the sexuality of the everyday rather than the bracketed areas of prostitutes and waitresses – the focus of men. Women tended to write from the realm of personal experience and place a female protagonist within intimate relationships.
As a countersociety that exists alongside the dominant society, it forms a photographic negative of the existing positive. The resulting differences between these two “societies” are not then fundamental, even though the author’s posit them as such. Julia Kristeva has written of the trap presented by this strategy of building a countersociety. I think the “female society” of which she speaks is an ideal one; in that way it parallels the utopian visions of the flesh writers of my discussion. The (gendered) discourse and a (woman’s) body 37 The more radical feminist currents .
Body in Postwar Japanese Fiction (Asia's Transformations) by Douglas Slaymaker