By Bruce Scivally
Title: Billion greenback Batman - Bruce Scivally [MOBI]
Author: Bruce Scivally
Publisher: Henry grey Publishing
Publication Date: 2011-11-29
Number of Pages: 446
Website: Amazon, LibraryThing, Google Books, Goodreads
Synopsis from Amazon:
Since his construction in 1939, Batman has turn into probably the most well known characters in fiction. From his humble roots in dime comedian books, he turned a serial hero, a common visitor superstar at the Superman radio express, after which the celebrity of his personal explosively winning television sequence, spawning a national epidemic of Batmania. After Batman turned a film superstar, his exciting exploits have been not child stuff-he was once now a multinational conglomerate's greatest company asset. Billion greenback Batman finds the tales at the back of the tale of 1 of the main profitable and ecocnomic media creations in background. comprises profiles of the folks who guided Batman from shiny Knight to darkish Knight and revealing behind-the-scenes information regarding Batman serials, television indicates and movies. Illustrated with photographs of the actors who've introduced Batman to existence for seven decades.
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Additional resources for Billion Dollar Batman
This deﬁnition captures what a number of social institutions (the media, the church, educational institutions) do, but it does not capture the wider impact that certain concentrations of symbolic power may have. A strong concept of symbolic power, by contrast, would insist that some concentrations of symbolic power (for example, the concentration from which contemporary media institutions beneﬁt) are so great that they dominate the whole social landscape; as a result, they seem so natural, that they are misrecognised (to borrow a term from Pierre Bourdieu),2 and their underlying arbitrariness becomes difﬁcult to see.
Yet they assume that rituals have ‘powerful’ effects. Indeed they attribute enormous power to rituals – to externalise social reality, even to make certain experiences possible (Douglas 1984: 64; cf. Rappaport 1999: 119–21, 138) – but without dwelling on the potentially divisive notion of symbolic power. Similarly when Mary Douglas (1984: 114) states that ‘the idea of society is a powerful image … it has external boundaries, margins, internal structure. Its outlines contain power to reward conformity and repulse attack’, she does not unpack the nature of this ‘power’ – who possesses it, who does not, and under what conditions.
Symbolic violence is therefore inherent to the media’s operations but it can only be unpacked through a theory of the speciﬁc rituals and ritualisations that sustain it on a day-to-day basis. BEYOND THE MYTH(S) OF THE CENTRE First, we need to isolate and name one form of misrecognition that helps frame all the other speciﬁc misrecognitions involved in media rituals. I shall call this the ‘myth of the centre’, and explain its relationship to another myth which I will call ‘the myth of the mediated centre’.
Billion Dollar Batman by Bruce Scivally