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Additional info for Atelier de traduction

Sample text

G. La Chesnais, Gallimard, 1990. G. La Chesnais, Nathan, 1999. 55 Change ments Lexicaux Traduction de 1990 Traduction de 1999 Le titre : La petite fille aux La petite marchande d’allumettes allumettes … elle serrait dans un vieux … elle gardait dans ses poches … tablier … … et elle n’osait pas rentrer …et n’osait plus rentrer chez elle… chez elle… … pas eu un sou. … pas gagné un sou. … et le vent sifflait jusqu’à … et le vent sifflait jusque dedans l’intérieur de la maison …une petite …une petite allumette aurait allumette pourrait faire… pu faire… … qu’est ce qu’il y a ?

Il se fonde en effet sur une conception relativiste et constructiviste de la culture. Les différents modes de visées ne sont pas pour lui les modes de perception d’un géométral unique, mais une multiplicité irréductible à toute harmonie possible dans la mesure où chaque visée serait le produit d’une situation et d’un site local propre et incompatible avec les autres – et en particulier avec toute visée dans laquelle les autres se résorberaient. Rien ne dépasse le niveau du « choc soudain du temps successif, non synchronique de signification, ou l’interruption de la question de la supplémentairité »30 .

Irina Mavrodin accentue à son tour l’amertume ressentie par le traducteur qui a la conscience de la désuétude dans laquelle sa traduction va tomber, de la perspective d’une autre génération. La cause de cette désuétude est le changement de la mentalité du lecteur, ainsi que le changement de la langue. La traduction est perçue par Irina Mavrodin comme o serie mereu deschisă, ca o activitate mereu reîncepută, niciodată încheiată, definitivă2 (Mavrodin, 2006, p. 94-95). ] une activité qui est toujours recommencée, mais 38 Qu’on le veuille ou non, la traduction devient, à un moment donné, caduque.

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Atelier de traduction by Centre de Recherches INTER LITTERAS

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