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By Lewis Foreman Day

It is a iteration Of the unique 1910 variation.

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Example text

Themselves to more variety not being so perfect in Roman, To some, perhaps, they are more Art in the Alphabet. interesting on that very account : 23 perfection palls Anyway, the Gothic forms are often very beautiful. The Roman letter is classic, and upon us. therefore fixed fixed, — should or, and therefore With regard classic it rather be said, it is ? to the Gothic minuscule character (23, 24, 25), the even perpendicularity of the broad, straight strokes gives at a glance the character distinguished as " black letter," because rela- it is ABCDeFQHHLM NOPQRSTVXZ 22.

Had they been for type the artist would have made them more exact but in drawn letters he thinks the evidence of the hand not unpleasant. 171 and 172. differing shapes of the ; 173 and 174. modern architect's alphabets, majuscule and minuscule, with numerals and wording, to show the adjustment of each letter to letters adjoining. Designed Professor A. Beresford to be characteristically penwork. Pite, architect. — By B. Waldram. 175. modern pen letters 176. PEN-WRITTEN ALPHABETS AND NUMERALS. 177.

The considerations, however, which guided the writer no longer that were possible ; ; concern the printer. stock of the alphabet It is time, perhaps, he took — looked over it with a view ; Art to its in the Alphabet. perfection, since to print as another. 27 one shape is about as easy The changes which have taken place in our printed type during the last three hundred years or so been on the whole may very likely have in the direction of easy reading, but they have not been in the direction of beauty and it is quite likely that it may be worth while ; restoring some obsolete forms of letter now that we have not to write them.

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Alphabets old and new by Lewis Foreman Day


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