By Cara MariAnna
Stories approximately abortion supply a wealthy flooring for the connection among narrative, event, and that means simply because in lots of methods abortion has grow to be a defining factor for American culture―one that touches at the price we characteristic to human existence, liberty, and freedom. utilizing own tales and interviews, MariAnna seeks to teach the contours of an essential and various collective story―a narrative that emphasizes the discursive dynamics at paintings in any account of the importance of abortion.
MariAnna seeks to teach the contours of an essential and numerous collective story―a narrative that emphasizes the discursive dynamics at paintings in any account of the importance of abortion.
By searching for a number narrative and experiential extremes, she presents different and distinct bills that shape a collective tale. The money owed she offers are approximately real event, yet as the that means of that have is created and conveyed in narrative shape, there is not any neat contrast among a narrative and the development to which it refers. which means is embedded in greater cultural narrative: the person tales instructed approximately abortion and the intersection among them. those tales illustrate how event itself is mediated by way of, to a point even a functionality of, narrative modes and currents. They illustrate the best way autobiographical background is so enmeshed in cultural narrative varieties that the personal bills we supply of our personal lives functionality as frequently unacknowledged social remark. tales approximately abortion offer a wealthy floor for taking a look at the connection among narrative, adventure, and that means simply because in lots of methods abortion has emerge as a defining factor for American culture―one that touches at the worth we characteristic to human lifestyles, liberty, and freedom. This booklet might be of specific curiosity to students, scholars, and researchers concerned with Women's stories and Women's well-being concerns and to normal readers excited about modern American social problems.
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Extra resources for Abortion. A Collective Story
It was a relief when the interview was finally underway and we could forget about our mutual fears. Fortunately, Barbara was quickly absorbed in remembering and recounting her experience and I was soon caught up in the details of her intricate narrative. My questions provided a general structure for the way she related her account, but the story turned and branched in unexpected directions. Barbara's interview took narrative paths that surprised me. Listening to her, I realized that I wasn't simply hearing the facts of her experience.
She was so clear and so sure that she was going against the Church and going against her basic instincts. It was just horrible for her. By having this dialogue, when we both got dressed and ready to leave, she turned to me and she said, 'You've made this all all right. ' For me it was, that part was, just a wonderful experience. You know, I can still cry about it. ] It was really beautiful the way that ended. And I'm sure that she was still very sad. I felt that I'd done a little bit to help her along.
This strategy enabled me to see how similar concepts are articulated in different ways, and it helped me identify patterns and differences across the stories women told to me. I used these analytical and organizational devices to generate a framework— by identifying narrative themes and categories of experience—for discussing these stories in Chapter 2. Ultimately, the analytical strategies I developed also had the effect of familiarizing me with the material in each interview and of facilitating my movement within the field notes and tapes.
Abortion. A Collective Story by Cara MariAnna